We run thebusiness of live.

Ckrowd Global Live is the execution company in the Ckrowd group. We deliver concerts, tours and festivals, from the first offer to the final settlement. TourStack, our sister platform, handles the financing and data side of touring.

Global demand.Fragmented reality.

Appetite for African live entertainment has never been higher, yet executing cross-border tours stays opaque and hard to insure. Without centralised compliance, capital sees only risk. Untraceable cross-border payments deter institutions. Without risk modelling, tour insurance barely exists.

Our answer is execution: a strong central touring team, lean local crews in each city, one technical and safety standard, and a plan for when normal plans fail. TourStack, our sister platform, gives promoters, banks and insurers a verified record of the business side.

Lagos skyline across the lagoon

The Ckrowdgroup.

Ckrowd Global Live

Runs the show. Concerts, tours, festivals and campus shows: booking, box office, sponsors, media and production, from the first offer to the final settlement.

See our shows

TourStack

The touring platform. Promoter verification, ticketing, escrow and data for the business side of touring, with its own home at tourstack.ckrowd.com.

Go to TourStack

What westand on.

  1. Trust is infrastructure

    Compliance and verification are not paperwork. They are the rails that let capital flow into live events safely.

  2. Data over instinct

    Every settlement teaches the system. Risk is priced on evidence, not gut feel, so underwriting gets sharper with each tour.

  3. Built for the continent

    Multi-market, multi-currency, locally compliant. Designed for how African live entertainment actually operates.

What we’reset up to do.

Ckrowd Global Live is a private company. These are the objects for which it is established: the scope of work behind both the platform and our services.

  1. Object A: To carry out contracts on the production of music
  2. Object B: To carry out artist talent booking
  3. Object C: To engage in contracts dealing with sounding, negotiation, fee structuring and talent payment facilitation
  4. Object D: To carry out payment management and box office operations
  5. Object E: To engage in sponsorship deal agreements and brand activation management
  6. Object F: To provide promoter operations support to artists
  7. Object G: To engage in tech development and operation, and software development
  8. Object H: To carry out activities relating to content and media rights facilitation (concert streaming, live film, digital licensing)
  9. Object I: To conduct training and certification modules delivered via the platform (online/offline hybrid)
  10. Object J: To carry out logistics and production supply-chain coordination, marketing and commerce
  11. Object K: To participate in general contracts as agent or sub-agent in activities around the media and technology industry
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